30 is the first new music from Adele since the release of her third studio album 25 in November 2015. The album is produced with former collaborators Greg Kurstin, Max Martin and Shellback and Tobias Jesso Jr., as well as new collaborators Inflo and Ludwig Goransson.
A limited-edition black vinyl release of the Grammy-award winning U2 album Achtung Baby, to celebrate its 30th Anniversary.
Produced by Daniel Lanois and Brian Eno, and recorded between Berlin’s Hansa Studios and various locations in Dublin, Achtung Baby was released to critical acclaim in 1991 & is regarded as one of U2’s most seminal albums. The album featured five singles: ‘The Fly’, ‘Mysterious Ways’, ‘One’, ‘Even Better Than The Real Thing’ and ‘Who’s Gonna Ride Your Wild Horses’.
Limited yellow colored vinyl LP pressing. 2021 marks 25 years since Oasis' two iconic record breaking live concerts at Knebworth Park in Hertfordshire on August 10-11, 1996. The shows were both the pinnacle of the band's success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, Oasis Knebworth 1996 is the definitive live recording featuring a setlist packed with stone cold classics taken from across both nights of the concert, from the opening salvoes of "Columbia" and "Acquiesce, " to "Champagne Supernova, " "Don't Look Back In Anger, " "Live Forever, " an orchestra backed "I Am The Walrus, " and of course the universally loved anthem "Wonderwall."
In 1976, KISS dropped the bombshell on the world being DESTROYER, an album that originally received resistance from fans due to the band exploring a new sound and has long become the quintessential and all-time best selling KISS studio album.
Exploding with concert staples and KISS Army favorites like “Detroit Rock City,” “Shout It OutLoud,” and “God Of Thunder” – the album’s new sounds came from the softer side of songs like “Do You Love Me?,”and songs heavy with orchestral arrangements including “Great Expectations” and their surprise hit single “Beth.”
For the 45th anniversary, UMe is releasing the most comprehensive Super Deluxe Edition 4CD + Blu-ray Audio boxset that will melt the KISS Army’s minds. The original album on CD 1 is newly remastered by Abbey Road Mastering, CD 2 features 15 demos from Paul Stanley’s and Gene Simmons’s personal archives – 9 of which are unreleased. CD 3 loads up with studio outtakes, alternate versions / mixes and single edits – most notably a brand-new stripped-down mix for “Beth (Acoustic Mix)” where we found the acoustic guitar stems recorded for the entire song but originally only used in the last several closing notes of the song on the album. CD 4 features a ripping performance from the band’s visit to Paris France at the L’Olympia on May 22, 1976.
Steven Wilson was brought in to create a first-ever Dolby Atmos and 5.1 surround mix of the original studio album plus 2 bonus tracks “Beth (Acoustic Mix)” and “Sweet Pain (Original Guitar Solo)” the latter featuring Ace Frehley’s original recorded guitar solo that was not released on the studio album (this track is available on the 2012 Destroyer: Resurrected project.)
Packaging features a lift top-style box loaded with so much ephemera even KISS fans may need to seek medical advice upon receiving this boxset
Yusuf/Cat Stevens celebrates 1971's landmark album with this 4CD, Blu-ray, 2LP, and 7" set in a rigid clamshell box. It includes the 50th Anniversary remaster of the album on CD/Blu-ray HD Audio completed at Abbey Road by the original producer, Paul Samwell-Smith. Featuring 41 previously unreleased demos, sessions, live tracks, and 21 unreleased TV performances. Plus, an illustrated 108-pg essay book, a 44-pg replica of the original "Teaser And The Firecat" book, and a 7" single of "Moonshadow."
Few artists are storytellers as deft and disarmingly observational as Andy Shauf. The Toronto-based, Saskatchewan-raised musician’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. Like he’s done throughout his career, Shauf wrote, performed, arranged, and produced every song on his new album Wilds at his studio space in the west end of Toronto.
Over the course of a year-and-a-half, Shauf had written more than 50 songs, and pared down this massive body of work, into a single album’s worth of material, which became 2020’s highly acclaimed The Neon Skyline album. These songs focused on a theme by intertwining the individual characters stories of a group of friends who gathered for one night at the same local bar. Wilds includes songs from those same writing sessions, that did not fit into the Skyline storyline and had their own singular identity apart from that album, though he does revisit with his old friends Judy and Jeremy in this outing.
2021 release. Written and largely produced by Tyler Joseph in isolation over the course of the past year at his home studio, with Josh Dun engineering the album's drums from across the country, Scaled And Icy is the product of long-distance virtual sessions and finds the duo processing their upended routines along with the prevailing emotions of 2020 - anxiety, loneliness, boredom, and doubt. The duo had to forgo their normal studio sessions but reached a new of level of introspection in the process, adopting a more imaginative and bold approach to their songwriting. The result is a collection of songs that push forward through setbacks and focus on the possibilities worth remembering.
2021 release, the third installment in the band's New Age Norms series. Over their career, Cold War Kids have fielded music's seismic shifts while simultaneously sticking to their own game plan. Over the course of more than a dozen releases - including studio albums, multiple EPs, and a live album, non-stop tours and the festival circuit's biggest stages, massive radio, sales and streaming successes, the band has become a major part of the modern landscape. Their album New Age Norms 3 is the next chapter with the approach of taking apart the idea of what the band is and just trying to take the doors off a bit to see where it can go.
A reinvention of Lady Gaga’s sixth consecutive #1 studio album Chromatica, Dawn of Chromatica is executive produced by BloodPop® and features new collaborations and remixes of the original album from Ashnikko, Bree Runway, Charli XCX, Chester Lockhart, Clarence Clarity, COUCOU CHLOE, Doss, Jimmy Edgar, Lil Texas, LSDXOXO, Mood Killer, Mura Masa, Planningtorock, and Shygirl. Many of the collaborative artists were sourced by publicly asking fans who they would like to see on this project.
30th anniversary edition of one of the most iconic albums from The Tragically Hip. Contains 5LPs including the remastered Road Apples album, Saskadelphia, Live at the Roxy Los Angeles, May 3, 1991 and unreleased demos, outtakes & alternate versions. Blu-ray contains Dolby Atmos, 7.1, 5.1, and binaural mixes by Richard Chycki of Road Apples, and 5 cuts from Saskadelphia. Also includes a 36-page booklet, a 1991 24'x 37' promo poster, never-before-seen photos, original lyrics, essays, and more.
Being in a band is like being in a marriage: sometimes it’s magical, sometimes it’s unbearably challenging. To reinvigorate that marriage, Deap Vally have made their third album a genre-bending experiment with new collaborators and instrumentation that push the limits of what has previously defined the duo - Marriage is their musical Rumspringa, if you will. The album sees Julie and Lindsey break free of the rigid creative constraints within which they previously existed (two members, two instruments, two voices) and invite in collaborators such as KT Tunstall, Peaches, Jennie Vee and jennylee, as well as a range of producers including Allen Salmon, Josiah Mazzaschi and Harvey Mason Jr.
The Willie Nelson Family finds Willie joined in his Pedernales Studios by a host of his family members and extended family of long-time band members, performing songs that they have performed for much of their lives. Sister Bobbie, sons Lukas and Micah, and daughters Amy and Paula all contribute plus band members Mickey Raphael, Kevin Smith and Billy and Paul English. Produced by Willie and Steve Chadie and shaped around a setlist of 12 favorite spirit-driven songs from the Nelson Family repertoire, the album draws on deep Americana (including A.P. Carter's "Keep It On The Sunnyside" and the traditional hymn "In The Garden") while celebrating classic songwriting from Hank Williams ("I Saw The Light") and Kris Kristofferson ("Why Me") to George Harrison ("All Things Must Pass") and Willie Nelson (who penned half of the album's compositions). Willie's son Lukas (who fronts his own band, Lukas Nelson & Promise of the Real) sings lead vocals on two of the album's tracks--"All Things Must Pass" and "Keep It On The Sunnyside"--while sharing lead vocals with Willie on "I Saw the Light," "I Thought About You, Lord" and "Why Me." These songs represent the final recordings Willie made with his longtime drummer and pal Paul English who was Willie’s drummer for over 50 years before he passed away in February 2020.
Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king. Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.' Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end Guy leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. Guy is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, Guy is a diamond.
2021 holiday release. Eagles of Death Metal arrive just in time for the holidays with six new recordings to fill your holiday spirit! "Just a few songs to warm your heart during Christmas time. I hope you like them. May Christmas bring peace to you all. Happy Hanukkah, Merry Christmas, Happy Holidays, I love you, and God bless you all." - Jesse Hughes.
Charlie Parr's newest album, Last of the Better Days Ahead, is a collection of powerful new songs about how one looks back on a life lived, as well as forward on what's still to come. It's spare production foregrounds Parr's poetic lyricism, his expressive, gritty voice ringing clear over deft acoustic guitar playing that references folk and blues motifs in Parr's own exploratory, idiosyncratic style. When it comes to what it all means, Parr says it best: "Last of the Better Days Ahead is a way for me to refer to the times I'm living in. I'm getting on in years, experiencing a shift in perspective that was once described by my mom as 'a time when we turn from gazing into the future to gazing back at the past, as if we're adrift in the current, slowly turning around.' Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming. The album represents one full rotation of the boat in which we are adrift-looking ahead for a last look at the better days to come, then being turned around to see the leading edge of the past as it fades into the foggy dreamscape of our real and imagined histories."
The 11 track studio album titled 'Time Flies' will be released by Mid Century Records under exclusive license to BMG.
Time Flies, is an extraordinary collection that fuses intimate subject matter and upbeat guitar-led rock with irresistibly catchy electronic elements. In the half decade since her acclaimed 2016 album Wild Things, Pip has gone through a personal transformation.
Pip has openly struggled with mental health, anxiety and depression for a long time and, after dealing with severe postnatal depression + a serious skin cancer condition which has thankfully seen a full recovery, was able to successfully procure the right balance of therapy & medication which is so individually specific. When she embarked on writing songs for this new record in 2019, there was a sense of freedom in the work. “I was feeling pretty grateful to be alive and making music, so I felt like I didn’t ‘care’ anymore - not in a bad way, I just stopped overthinking it.”
Time Flies was produced with a host of incredible collaborators including, LA songwriter and producer Tommy English (K.Flay, Carly Rae Jepsen, Kacey Musgraves, Adam Lambert, Broods etc), Auckland based Josh Fountain (Leisure, Benee), Jeremy Toy (Leonard Charles, She’s So Rad) , Sydney's Chris Stracey (Bag Raiders, Paloma Faith, Diplo.) and Jono Sloan (Empire Of The Sun, PNAU)
Primal Scream's fusion of indie pop and dance broke down musical boundaries and changed the face of British pop music in the '90s, helping to push dance and techno into the rock mainstream. Their lasting influence is crystallized across nine tracks, on Primal Scream - Live At Levitation. Recorded in 2015 at Levitation in front of underground rock fans from around the world, the LP marks the next release in The Reverberation Appreciation Society's Live at Levitation series, which captures key moments in psychedelic rock history and live music in Austin, Texas - pulled from Levitation's extensive archives.
Amongst a lineup of classic Levitation bands - Thee Oh Sees, Night Beats, and frontman Bobby Gillespie's old band, The Jesus And Mary Chain - The Primal Scream set shows the band's undeniable creativity and unique place in the psych-rock canon, combining psychedelic garage rock, kaleidoscopic pop, and acid house to create a sound that's simultaneously of its time and ahead of it.
Known for their explosive live sets, the recordings show why Primal Scream is still considered one of the preeminent Scottish rock groups, with the Mercury-prize winning band blasting through tracks off of 1991's touchstone album, Screamadelica, its boogie-blues-influenced follow-up Give Out But Don't Give Up, and the heavily electro-influenced cult favorite XTRMNTR. Making it an essential collection for any Primal Scream or psych-rock aficionado.
Ray Charles is both one of the most iconic artists of all time as well as one of the hardest to define by genre. At the beginning of his career, he was dubbed the Genius of Soul for boldly combining traditional R&B with Gospel music and giving birth to Soul music. Yet this momentous musical accomplishment was just the beginning of a five-decade career in which he uniquely succeeded in virtually every genre. Ray's unique mastery of music allowed him to continue to explore all forms of music, freely floating between jazz, blues, pop, rock, soul and country while continuing to combine them in new, unprecedented ways. This two (2) disc vinyl collection illustrates the many musical "sides" of Ray by focusing each album side on some of the broader genre categories he visited most.
Mica Tenenbaum and Matthew Lewin began their musical journey together over 10 years ago in a Miami after-school music program. Connecting through their shared music tastes, the two formed a band that endured until the two parted ways for college. Not long afterward, Tenenbaum and Lewin reconnected and formed what we now know as the indie-pop duo Magdalena Bay.
The duo released their EP truly moments before the pandemic pervaded through North America, bringing their tour to an abrupt end. Resiliency illustrated at its peak, Magdalena Bay dipped their heads into a focused timeline, coming out of the pandemic with their debut album, Mercurial World. Magdalena Bay peruses the sound of experimental pop, crafting a synthy world that shatters genres and bends time to the pair’s will, elevating their sound to match their philosophical reflections. Lewin shared, “We spend all of our time together, and in some ways Mercurial World is about that particular sense of madness in containment. We live together and make art together; this immerses you in our creative, insular universe.”
HuDost’s new album defines real, honest love and is a lush, breathtaking original collection of compositions that ask important questions and evoke the imagery of dreams. Special guests include Jars of Clay, The Accidentals, Christie Lenée and others. The music video for the first single ‘Our Words Will Be Louder’, included additional cameos from Kevin Clash (Elmo), Kevin Hearn (Barenaked Ladies), Cy Curnin (The FIXX), GangstaGrass, Alana Bridgewater, Nawal, Hymn for Her, Jai Uttal, and more.
Geographer captured the interests of many over the last ten years through his unique indie-pop/rock sonic scapes that have solidified his sound. The solo project for Mike Deni, Geographer, is constantly evolving and reinventing his music, which began as an outlet for Deni after his sister's tragic death; born from a place of grief but ultimately capturing the optimism that is inherent to persevering through life. He continues his quest in music exploration with his new album 'Down and Out in the Garden of Earthly Delights' - which he was inspired to name after moving to LA from SF: "Everything feels possible here. Everything should be wonderful. That's the vibe of LA: You've made it to paradise! You should be really happy... and then nobody is. There's a lot of darkness - you have to sift through everything to find your own path." On the track "Giving In," Deni pours his heart out, shortly written after a tough breakup, equating the loss to being "Like when you hear a ringing in your ears and that's the last time you'll ever hear that frequency." The beautiful ballad shows off his pure vocal tone and features a gorgeous string arrangement from Daniel Hart (film composer: 'A Ghost Story' [David Lowery], St. Vincent). Deni's song "Get There Soon" was synced to an episode of the new season of Hulu's 'Love, Victor' & the "Verona (Stripped)" version of his iconic song was also featured in the CW show 'Republic of Sarah.'
Complete, previously unreleased performance by the Grateful Dead on 180-Gram Vinyl with 10th Side Custom Etching, Limited Edition of 12,000. Plangent Processes tape restoration and speed correction, with mastering by Jeffrey Norman, Produced for release by David Lemieux.
One of the shortest-lived iterations of the Grateful Dead was the band that existed December 1971 through March 1972. Jerry, Bob, Phil, Bill, Pigpen, and Keith formed a formidable version of the Dead that only played a few shows together before Donna Jean joined as vocalist, and before Pigpen would depart the stage for good in June 1972. What this sextet lacked in quantity of shows it made up for with creativeness, power, and inspiration. When Pigpen rejoined the Dead on December 1, 1971, after a few months off during which Keith had joined as piano player, the band was now an unstoppably powerful live juggernaut it hadn't been since the height of the Primal Dead era in late 1968-1969. Widely considered one of the best shows from the Pigpen-Keith era of the Grateful Dead, December 10, 1971 in St. Louis has it all: Pigpen singing lead on four songs including an 18 minute version of Good Lovin' and a very rare performance of Run Rudolph Run; a deep dive into the Dead's psychedelic recent past with a monster version of The Other One; plus plenty of the new material from earlier in 1971 like Bertha, Loser, Sugaree, and Playing In The Band. They also hit upon much of the music that would appear the following year on Europe '72, such as Jack Straw, Tennessee Jed, Mr. Charlie, and One More Saturday Night. And no Dead show of this vintage would be complete without the "hits": Truckin', Sugar Magnolia, and Casey Jones all make appearances. This is truly one of the deepest, most dynamic, exciting, and accessible live shows in the entire Grateful Dead canon.
Grateful Dead/Fox Theatre, St. Louis, MO (12/10/71) [Live](5LP)
Original remastered album, previously unreleased full live concert and BBC Session Recorded in 2012, 2011 Electro-Vox Session, limited-edition poster and lithograph, “new car scent: air freshener, 100-page photo book.
The Black Keys release a special tenth anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.
The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).
El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio. El Camino has been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, "Lonely Boy" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. "Gold on the Ceiling" was certified platinum in Australia and Canada.
Rolling Stone hailed El Camino for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” The Guardian said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”
Diana Ross sings “Thank You” to the world. “This collection of songs is my gift to you with appreciation and love. I am eternally grateful that I had the opportunity to record this glorious music at this time,” said Ms. Ross. Her new album, “Thank You” is scheduled for release this fall through Decca Records / Universal Music Group. The title track and first single,” Thank You,” will be available for streaming and download on June 17.
Recorded in her home studio, “Thank You" offers a powerful, inclusive musical message of love and togetherness. With its songs of happiness, appreciation and joy, it wholeheartedly acknowledges that we are in this all together. Her family, friends and loyal and loving audiences all around the globe have been an integral part of her wonderful life’s story. In this special moment, it is time to step into the light.
Ms. Ross co-wrote and collaborated on the 13 songs along with award-winning songwriters and producers including: Jack Antonoff, Troy Miller,Triangle Park, Spike Stent, Prince Charlez, Amy Wadge, Neff-U, Freddie Wexler, Jimmy Napes, Tayla Parx, Fred White, and Nathanial Ledgewick.
Let us come together in harmony and gratitude with Diana Ross now and for the future. “I dedicate this songbook of love to all of you, the listeners. As you hear my voice you hear my heart. "Let Love Lead the Way”
Beautiful Garbage is the third studio album from Garbage, initially released on October 1, 2001. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. Featuring newly remastered audio by Billy Bush & Butch Vig, this deluxe edition includes Beautiful Garbage on 2 x 180g Black Vinyl, as well as a 12" 180g of B-Sides and memorabilia.
Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength-a full gamut of emotions. Today his voice takes on an optimistic lilt with his his new album, If Words Were Flowers. If Words Were Flowers is Harding's first new music since 2018, a follow up to his critically acclaimed 'Face Your Fears" album. It features songs like " Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies
NCT 127’s 3rd repackage album 'Favorite' has 3 new songs of various genres, including the lead single “Favorite,” “Love On The Floor,” and “Pilot.” The album includes 1 bookmark, 1 photo card, 1 postcard, and 1 pendant card (all random 1 out of 9). It also includes 1 photo book, 1 lyric book, and 1 folded poster. This is an official release from SM Entertainment. Size: 144mm x 205mm x 8.5mm. Weight: 360g.
Born in Ontario, AHI (pronounced “eye”) grew up in a traditional West Indian family that considered music diversionary entertainment, but after dropping out of school to hike, meditate, and fast his way across the world, he set his mind to pursuing songwriting professionally. His debut album, We Made It Through The Wreckage, was a breakout hit, with lead single “Ol’ Sweet Day” racking up more than 14M streams and earning AHI an NPR Tiny Desk Concert. The attention helped him score a deal with Thirty Tigers for his next LP, 2018’s In Our Time, which garnered a JUNO nomination and led to dates with Patty Griffin, Michael Franti, and Lauren Daigle.
Though much has been made of AHI’s years spent backpacking everywhere from the hills of Ethiopia to the jungles of Trinidad, Prospect, the globetrotting singer/songwriter’s extraordinary new album, is the story of an even more profound journey: an internal quest for understanding and self-discovery. Recorded in Nashville with GRAMMY-winning producer Paul Mabury, the collection is bold and expansive, delivering on the promise of AHI’s first two records with a captivating, immersive sound that showcases the raw power of his gravel-on-silk vocals like never before. The songs here are deeply introspective, looking inward with piercing insight and honesty, and the performances are similarly fearless, blurring the lines between roots, folk, pop, and soul as they grapple with pain and healing, faith and resilience, connection and identity.
GarciaLive Volume 14 showcases a buoyant acoustic performance from Jerry Garcia and longtime friend/bassist John Kahn during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites ("Ripple," "Friend of the Devil," "Dire Wolf," and "Bird Song," among others) and spirited takes on Bob Dylan's "When I Paint My Masterpiece" and "Simple Twist of Fate." New pressing on standard black vinyl.
2021 release, the seventh studio album from the sibling trio. Against The World includes the single "Annalie". The song displays the band's influences from craftsmen like Paul Simon and the flavors of South African guitar, while the lyrics reflect Memphis and other musical places from which the band draws it's inspiration.
The Low Highway was the follow-up to 2011's Grammy Award-nominated album I'll Never Get Out Of This World Alive and was the first billed as "Steve Earle & The Dukes (& Duchesses)." The album is also the first to feature "The Dukes" band name since 1987's Exit 0. This is the first color pressing for this record.
Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, "Terraplane Blues." It is Earle's 16th studio album since the release of his highly influential 1986 debut Guitar Town. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack. Earle, who was raised outside of San Antonio before migrating to Houston, offers about Texas blues, "There was Fort Worth where the model was Freddy King and there was the Houston scene which was dominated by Lightnin' Hopkins. Two very different styles." He saw both of these giants and was also exposed to Johnny Winter, Jimmy and Stevie Ray Vaughn and Billy Gibbons - all of which make their influence heard here within Earle's masterful storytelling. This is the first time this record has been pressed on color vinyl.
In 2009 Steve Earle released an album of Townes Van Zandt songs. It began as solo guitar and vocal tracks recorded in October 2008 in New York City. Other instruments were added later in subsequent sessions for the album in New York, Nashville and Los Angeles. Those original recordings - The Basics - are available on color vinyl for the first time.
Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. When asked about what drove him to craft his deeply evocative new album, Steve Earle says, 'I thought that, given the way things are now, it was maybe my responsibility to make a record that spoke to and for people who didn't vote the way that I did,' he says. 'One of the dangers that we're in is if people like me keep thinking that everybody who voted for Trump is a racist or an asshole, then we're fucked, because it's simply not true. So this is one move toward something that might take a generation to change. I wanted to do something where that dialogue could begin.' In ten deftly drawn, roughly eloquent, powerfully conveyed sonic portraits, Earle and his long-time band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose 'I said I wanted to speak to people that didn't necessarily vote the way that I did,' he says, 'but that doesn't mean we don't have anything in common. We need to learn how to communicate with each other. My involvement in this project is my little contribution to that effort. And the way to do that ' and to do it impeccably ' is simply to honor those guys who died at Upper Big Branch.'
Valentine, the hotly anticipated return of Snail Mail, arrives November 5th 2021. The sophomore album marks the first new music from Lindsey Jordan since 2018"s powerhouse debut Lush, called 'truly perfect' by The FADER and included in the top 5 albums of 2018 by Pitchfork. Available on limited indie-exclusive gold vinyl, standard vinyl and CD. LP Gatefold single LP, with limited indie-exclusive gold vinyl edition
Neal Francis’ sophomore album offers up a body of work both enchanting and painfully self-aware. Recorded entirely on tape and mixed by Grammy Award-winner Dave Fridmann (Spoon, Tame Impala, Flaming Lips), the set spotlights Francis’s refined yet free-spirited piano playing, an instrument he took up at age four. The songs came to life over the course of a tumultuous year spent living in a (possibly) haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience.
12” single featuring “Yuletide Throwdown,” co-written and performed with Fab 5 Freddy, recorded around the time of “Rapture,” and using the same samples. The audio has been remastered from the analog tapes and includes an exclusive remix by Cut Chemist. The rare 1981 holiday flexi-disc has been reissued for the first time on 180-gram vinyl and packaged in die-cut bespoke “disco-bag” style sleeve with artwork by New York graffiti artist, Hugo Gyrl. Indie Exclusive on Hot Pink vinyl.
Limited 'Daphne's dream purple' colored vinyl LP pressing. Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family. Side 1 contains the violin laced pop 'cover 'songs performed by the legendary Vitamin String Quartet, originally by: Billy Eilish, Ariana Grande, Maroon 5, Shawn Mendes, Celeste and Taylor Swift with side 2 contains original score music by Kris Bowers.
On an early draft of folk trio Mountain Man's Bandcamp page, the project aptly described itself as "a creative growing from the mouths of Molly Erin Sarlé, Alexandra Sasuer-Monnig, and Amelia Randall Meath." Sparse and homespun, from the onset the voices of Mountain Man crafted an immediate intimacy. A Mountain Man song exists in a strange and wild and naturalistic world, populated with thick summer air and bright moons and chicadees, unfurling like a long night spent sitting on the back porch steps with your closest friends.
Released in the muggy summer of 2010, Mountain Man's debut full-length 'Made the Harbor' catapulted the project into the spotlight on indie music blogs across the Internet, and then into much bigger stages offline, too. From a MySpace buss band to touring as back-up singers for Feist across the world, Mountain Man's 'Made the Harbor' and the sound of their three voices tangling together had a certain magic that resonated so easily.
Now, a decade past its release, 'Made the Harbor' celebrates its tenth anniversary with an addition disc's worth of bonus material. The second LP here features unreleased songs, live sessions recorded at Bennington College's Greenwall Auditorium at the inception of the project, along with covers of the Mills Brothers, Arthur Russell, and then-Vermont contemporary toothache, and more. The deluxe packaging includes a collage culled from the band's personal collection and live photos from that time, as well as a personal essay by Wilco's Jeff Tweedy.
Nathaniel once again demonstrates that he is a writer and performer of the highest order, who seems to be smack dab in the middle of what we all hope is an extended creative peak. The album showcases Nathaniel's unique observations of our world and people's ongoing struggle in learning how to better understand each other. The Future was produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee, Hiss Golden Messenger) and R.M.B. The latter being the production team of Nathaniel himself, Patrick Meese, and James Barone (Beach House). The same team that both produced and were the core musicians behind Nathaniel's latest and greatest solo effort, And It's Still Alright. Additional production was added by multifaceted musician, engineer, producer, Elijah Thomson (Father John Misty, Richard Swift). Other notable contributions came from Jenny Lewis and Jess Wolfe (Lucius), whom both added backing vocals to the stunning track, "What IF I". And Amelia Meath (Sylvan Esso) who sang on "Face Down In The Moment". The album was recorded at Nathaniel's own Broken Creek Studio just outside of Denver, CO
STEVE PERRY "I hope when people hear this record, they're teleported in the same way I was when I recorded all these songs-I hope it brings them back to those golden moments with their loved ones and gives them that feeling of joy and connection and comfort that we all need so much."
All 8 tracks on the record come straight from the heart as Steve hopes to send listeners to the place they find the most comfort during the holiday season, which, for Steve, is his grandmother's home.
"When I was recording vocals for "I'll be Home For Christmas", as I was singing "Please have Snow and Mistletoe and Presents under the tree" . I was emotionally thrown into standing in my grandmother's house staring through the door that I always hung Mistletoe and then I saw her beautiful Christmas tree in front of her living room window.I had to stop singing because it felt like I was really there.I was a bit stunned.Back Home for Christmas is where everyone wants to be!"
One of the most iconic voices in rock & roll history, Steve Perry has captivated generations with the sheer power of his range and extraordinary warmth of his tone. The Season serves as the latest turn in a phenomenal career that's included landing on Rolling Stone's "100 Greatest Singers of All Time" list, fronting Journey during the band's most successful era, and gaining entry into the Rock & Roll Hall of Fame.
Released in 2011 after a long hiatus - Naugahyde reunited the group with their early drummer Jay Lane and harkened back to the early days of Primus (think "Frizzle Fry"). The trio were described by Rolling Stone at the time as a "tight knotty rhythm team." Packaged here in an embossed gatefold jacket, with new photos. 2 x LPs pressed Ghostly Green vinyl.
Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: "these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as 'albums.'" She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and it's towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from. The emotional chattels of these guitar-driven pop songs are scattered in different boxes, but they all belonged to one person at one point. Being left behind gives these vignettes a tone of brooding introspection. Across the album, Vu excavates an internal universe, loading and unpacking memories, moods, and imagined scenes with agency, charisma, and conviction.Vu's relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She'd wake up every day and listen to LA's ALT 98.7, home to '90s and '00s alternative rock; later in high school, she found the local DIY scene. She remembers, "A lot of my peer musicians were surf rock/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time [St. Vincent, Sufjan Stevens] was very different from what I performed." Ultimately she'd do her own thing, keeping a journal of bedroom pop experiments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu's self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year. Public Storage builds on the sound of Vu's early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it "very invasive and intense sounding music," refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts. Vu opens the album fixed on a force that recurs throughout. She explains, "I am not religious but when writing these songs I imagined a sort of desolate character crying out to an ultimately punitive force for something more." The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on "April Fool," as Vu's protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album's title track, a darker, murkier, louder place. Vu rips through "Public Storage' with a series of defiant rejections (failure, family, magic) and cathartic demands ("here are my bruises / all my dents and my fuses / everything that I've got to prove"). It's a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical. Built on a disco synth pattern and grooving bass stabs, "Aubade" has the bright bounce of it's morning namesake, cleverly at odds with it's downbeat subject. The contrast continues on "Keeper," a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force ("are you my keeper / can you keep me woe"). "Gutter" returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish ("I keep score and scream it in the dark / like you wanted").The back half of Public Storage features some of it's most striking moments: the rhythmic, hook-heavy "Everybody's Birthday" speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character's shame is painted gold. Vu saves "Maker" for last, a final go at the existential. That long-lost trinket, enormously meaningful, buried at the bottom of a box at the back of the unit. Tender banjo plucks and piano keys serve as the base for Vu's escalating harmonies, overcome by remorseful exhalations, the song culminates on the lines: "save me oh my angel / are you angry / cos I'm not stronger and I crumble / oh that's my nature / just like you." In that address, in finding something lost along the way in too many shuffles from place to place, Vu finds a tarnished token of solace and a logical conclusion for Public Storage: we are all fucked up, scattered, prone to getting lost, and whoever, whatever made us is fucked up, scattered and lost too.
“IL VOLO SINGS MORRICONE”, Il Volo’s new much-awaited album dedicated to the Maestro, will be released worldwide on November 5th. It is an exciting journey through the art and music of one of the greatest composers of the 20th century.
As a sign of the high esteem held for him, they decided to devote part of their amazing career to Ennio Morricone, with the endorsement from the Maestro’s family for this exclusive global project.
“IL VOLO SINGS MORRICONE” is an album with 14 songs recalling the Maestro’s legendary melodies, which have remained forever etched in our memory, including an absolute gem: “L’estasi dell’oro” (“The Ecstasy of Gold” from the movie “The Good, the Bad and the Ugly” – “Il buono, il brutto, il cattivo”), which, for the first time ever, will be accompanied by lyrics written by Andrea Morricone specifically for Il Volo. It also features “I colori dell’amore” (“The colours of love”), an unreleased track composed by Andrea Morricone for the trio that was unexpectedly performed live for the first time, together with other songs by Ennio Morricone, at a big concert held at the Arena di Verona on June 5, 2021.
The album was recorded in the Forum Studios in Rome, with Maestro Marcello Rota conducting the historic Roma Sinfonietta Orchestra, which – since it was established in 1994 – worked extensively with Maestro Ennio Morricone, performing under his musical direction at some of the world’s most prestigious concert halls.
The album also features other key collaborations: violinist David Garrett in “La Califfa” (“The Lady Caliph”), Hauser from 2CELLOS in “Se” (“If”) and trumpet player Chris Botti in “Come Sail Away”.
Il Volo have always felt closely connected to the Maestro, also appearing on stage with him in 2011, at Piazza del Popolo in Rome, to perform “E più ti penso” ("The more I think of you") on a medley of scores by Ennio Morricone from the films “Once Upon a Time in America” (“C'era una volta in America”) and “Malèna”.
A record that is destined to go straight to the heart of millions of people worldwide, as it combines the unforgettable melodies by the celebrated conductor, musician, composer and author of some of the greatest film soundtracks in the history of Italian and international cinema with the trio’s unique voices.
25th Anniversary Edition of the 5x platinum groundbreaking 1996 debut album Did I Shave My Legs For This? from award-winning country singer/songwriter Deana Carter. All songs have been remastered and includes 2 new tracks. Deana performed and produced new ensemble collaborations of the title track featuring Terri Clark, Sara Evans, Ashley McBryde, and Vince Gill on guitar and the iconic hit single, "Strawberry Wine" featuring Lauren Alaina, Martina McBride, Ashley, Kylie Morgan, and Vince.
Super Deluxe contains 5 CDs showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Additionally, a Blu-ray of the complete Live in Amsterdam concert video (newly remastered in HD) is included along with a 40-page hardcover book with unreleased photos.
Vinyl LP pressing. The Nearer The Fountain, More Pure The Stream Flows was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Albarn return to the music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem Love and Memory. Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist."In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, The Nearer The Fountain, More Pure The Stream Flows vividly documents the emotional ebb and flow of the human condition, in all it's extremes, serving as a soul enriching document for our times.
Things Take Time, Take Time is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and drummer/producer Stella Mozgawa (Warpaint, Cate le Bon, Kurt Vile). It's consequently her most beautiful and intimate record to date.
IDLES return with their new album "CRAWLER" ' an album of reflection and healing amid a worldwide pandemic that stretched the planet's collective mental and physical health to the breaking point. Frontman Joe Talbot says, "We want people who've gone through trauma, heartbreak, and loss to feel like they're not alone, and also how it is possible to reclaim joy from those experiences." IDLES albums have always been anchored by these overarching themes, but the ability of the band to juxtapose beauty and rage with humor and drama has never felt more satisfying than on "CRAWLER." These stories are vividly brought to life through IDLES' most soul-stirring music to date, recorded with co-producer Kenny Beats (Vince Staples, Freddie Gibbs). There are, of course, numerous moments that will inspire absolute mayhem in a packed concert venue, but there are also fresh textures and experiments that push IDLES into thrilling new territory. "I don't really see us as a 'rock band' and working with Kenny [Beats] freed us of the idea of genre," Talbot enthuses. "On this album, our dissolution of ego was helped by Kenny's humble nature and willingness to learn. He has boundless passion for making the best song possible. Not the best 'rock' song ' the best song possible." He continues, "It was writing selfishly that helped make it possible. Reflecting. Telling my own story. Not trying to tell everyone else's story. Not trying to fix the world ' just talking about how I am fixing mine."
The seeds of the collaboration were planted in 2017 when Anderson .Paak and Bruno Mars toured together on the European leg of his 24K Magic World Tour. One late-night jam session on the road unlocked immediate chemistry. Just before the world slipped into quarantine, Bruno called Anderson: “Remember that idea we had back in 2017? Let’s do it.” One studio session grew into to a months-long collaboration, culminating the “setlist of doom.” Legendary Bootsy Collins christened Silk Sonic and came in as the “special guest host” for An Evening With Silk Sonic, their debut album.Silk Sonic was finally set free on March 5th, 2021. Within less than a month, their debut single “Leave The Door Open” cracked over 230 million streams, and currently sits at 1.2 billion streams with over 346 million official video views. It reeled in rave reviews, including Variety who noted it “could be a Best R&B Song GRAMMY® winner from 1974.” After petitioning the GRAMMY® Awards to #LetSilkSonicThrive, they made their debut performance with “Leave The Door Open” and served up a powerful tribute to Little Richard.
Born in 1999, Charlie Hickey grew up in South Pasadena, just minutes from Downtown Los Angeles. Raised by two singer songwriter parents, Charlie’s second language was music since day one. As early as grade school, he was making sense of the world through songwriting, and by middle school he was writing, recording and performing songs that attracted a community of collaborators and could silence a room.
A turning point for Charlie came at around the age of thirteen, when he covered a song by then up-and-coming artist Phoebe Bridgers, who was still in high school herself. The two quickly became friends and collaborators, setting Charlie on an exciting new musical path. Years later, Bridgers introduced Charlie to songwriter, drummer, producer and her bandmate Marshall Vore, who noticed something special about Charlie. The two began writing and recording songs together, and soon Charlie dropped out of school to work on his music full-time.
Charlie Hickey’s first proper single, out now, is “No Good At Lying.” The Marshall Vore produced track introduces us to Charlie’s evocative storytelling and features Phoebe Bridgers on backing vocals. “I’m no good at lying / on my back or through my teeth / but I’m good at dreaming / I can do it in my sleep,” he sings over hushed guitars and a whimsical banjo, searching for truth as his unconscious mind runs wild and bleeds into reality. It’s a slow, quiet, and understated peek to the world of Charlie Hickey, who is barely of legal drinking age, but taps into such universal themes that showcase a wisdom beyond his years and exudes promise for what’s to come.
What turned out to be Elvis Presley's final Nashville session brought music that was originally overlooked. The original recordings found their way on the holiday themed Elvis Sings the Wonderful World of Christmas (1971), the gospel He Touched Me (1972), Elvis Now (1972) and Elvis (1973). Yet, to hear this music, a half century after it was recorded - now wiped of overdubs - reveals some of the most compelling singing of Presley's career. There may not be a better set of tracks in his catalog that benefits more from un-dubbing the masters. No longer weighted down, Elvis shines. Available on 2 LP's.
Richard Ashcroft is set to release the new album Acoustic Hymns Vol. 1 on November 12th via RPA / BMG. The album features twelve newly recorded acoustic versions of classic songs from his back catalogue spanning both his solo career and his time with The Verve.
The album finds Ashcroft’s acoustic performances supported by a full band, which brings a lighter touch to songs that originally had a heftier sound such as his debut solo single ‘A Song For The Lovers’ or ‘C’mon People (We’re Making It Now)’. His renowned vocal has gained poise as his career has progressed, giving an added emotional resonance to his most poignant songwriting on ‘The Drugs Don’t Work’ or ‘Sonnet.’ Much of the material that features is drawn from the classic Urban Hymns, an album that Ashcroft and The Verve commenced recording sessions for 25 years ago this October.
In February 2021 Eric Clapton's live shows at The Royal Albert Hall were cancelled due to the global pandemic. Determined to play, he brought his band together in the English countryside. In the absence of a live audience, he decided to record the performances. This release is the culmination of their sessions together at Cowdray House, West Sussex, England. Packaged in a 12x12 hardback photo book. Limited Edition Deluxe CD/DVD/Blu-ray.
This is a limited edition pressing of the 2017 album from All Them Witches titled, Sleeping Through The War. This pressing is limited to 2,500 units worldwide and will be pressed on orange and red swirl vinyl.
The Seafloor Cinema are a sacramento-based band making their debut on Pure Noise on 11/12 with "In Cinemascope with Stereophonic Sound".
Since forming in 2016, The Seafloor Cinema have been keeping both themselves and listeners guessing with a musical blend-o-matic of Midwestern emo, pop-punk and math rock, spinning unconventional song structures and dextrous, intricate guitar work into captivating underground anthems.
Take all of the greatest songs from throughout Florida emo veterans Dikembe's epic and storied discography, remix them in nostalgic 8-Bit form, and toss them in a video game to help promote their latest album, 'Muck,' and you end up with "Game Over."
2013 release, the eagerly anticipated third full-length album from the Alt-Rock band reunited the band with producer Jay Joyce who produced the group's prior two releases. The album is the follow up to 2011's acclaimed sophomore album Thank You Happy Birthday, which debuted at #2 on the Billboard Top 200 Chart and has over 250,000 copies to date. Rolling Stone, New York Times, LA Times, USA Today, and Entertainment Weekly praised the release as "one of the best Rock albums of the year."
Produced by Dan Auerbach of The Black Keys & The Arcs. "With this record, we wanted to be more transparent," said lead singer Matt Shultz. "We wanted to capture the sentiment of each song, and whatever emotional response it provoked, to be really honest to that." The results are the band's most forceful and focused songs yet. They recorded most of the songs on the 10-song album on the first take, capturing the band's raw and frenetic onstage energy. Their last album, Melophobia, was nominated for a Grammy for Best Alternative Album.
On the heels of their brand new LP Take It From The Dead, New York's Acid Dad transports us to another realm via their Queens, NY studio and the visuals of Webb Hunt. The setlist features some fresh takes on Acid Dad classics + the live debut of new tracks from their upcoming album.
“This was our first attempt at shooting and performing in front of our blue screen rig we made in our studio in Queens. We’ve always talked about doing a blue screen shoot where we could be totally encompassed by CGI FX, but wasn't until quarantine and not having the option to play shows to finally execute the idea. It’s hard to tell, but it was about 110 degrees in there with all the lights going so there is that authentic show time sweat.”
“We reworked a bunch of our older songs with newer tempos and parts to create unique compositions for LEVITATION as well as debuting some newer songs from our upcoming album. It feels strange being off a stage for so long but it’s really exciting being able to attempt to recreate that experience in a multimedia virtual space.” -ACID DAD
Emerging from the shadows, brimming with colour & Nordic charm, CORRO continues to carve out his place within the music sphere with an arsenal of melody & aesthetic, usually reserved for the elite. Honing his talent in the trenches, with former bands DEADLOCKED STATE & Kerbera, CORRO has since embarked on his own formidable journey, signing to Swedish independent label Icons Creating Evil Art in 2019, and releasing a string of unapologetically, boundary bending singles and an EP since.
The Walls Are Way Too Thin follows Holly’s critically acclaimed debut Falling Asleep At The Wheel, which marked the first chapter in the story of a new talent who’s garnered over 150M global streams to-date. Holly wants her lyrics to be the ones people could tattoo on themselves and her songs translate some of life’s most intense feelings in a way that typical conversations all too often fail to capture, from mental health struggles to the feelings of displacement as you grow out of adolescence. Indie Exclusive Clear LP.
Originally released in 1986, Christmas with Ronnie Milsap was Milsap's very first holiday album. The album features Milsap's unqiue take on all of the classics including "I'll Be Home For Christmas," "Silver Bells" and "O Holy Night." For anyone that loves Christmas music with a country flavor, this holiday classic is a must-have.
NRBQ, one of the greatest, most versatile American bands of the last 50 years, returns with their first full-length release since 2014! In addition to their version of the Dragnet theme, the album contains 10 new, original songs, all of which were written or co-written by the band - including Terry Adams' "Sunflower," which was originally recorded for the 2018 film Change In The Air. Any release of NRBQ music is a cause for celebration, but after nearly a decade since their last full-length studio release, Dragnet brings the band back to the turntables and live venues of America.
Sir Rod Stewart’s rekindled love of songwriting grows even stronger on his brand-new studio album, THE TEARS OF HERCULES. This is Stewart’s fourth new album of original songs since 2013 – and his 31st album to date - and for this latest collection, Stewart wrote nine of the 12 songs, including the first single, “One More Time.” In addition to the new tracks, THE TEARS OF HERCULES includes covers of Marc Jordan, Johnny Cash, and more. This is a project close to Rod Stewart’s heart, especially the song “Touchline,” which he dedicated to his father, who taught him and his brothers to love football, a tradition Sir Rod has passed down to his sons. Rod Stewart is one of the best-selling artists in the history of recorded music, with an estimated 250 million records and singles sold worldwide. His signature voice, style, and songwriting have transcended popular music genres, from rock, folk, soul, R&B, and even the Great American Songbook; making him one of the few stars to enjoy chart-topping albums throughout every decade of his career. THE TEARS OF HERCULES will be available on November 12th.
Typically, a band’s big indie label debut doesn’t come15 albums into its career, but with Constant Smiles Paragons, here we are. Primary songwriter and sole “constant” member Ben Jones—who considers ConstantSmiles a collective—sees its impressive output as a way to document the group’s evolution.Since its live debut as a noise duo on Ben’s home of Martha’s Vineyard in 2009, ConstantSmiles has grown to include contributions from 50 other members, all of whom have personal connections to the group’s extended family. And while the collective has indulged an array of musical whims along the way - including Ben’s penchant for penning a new set’s worth of material for each live performance ConstantSmiles’ sound has tightened up considerably over their past couple of albums, in large part as a result of Ben’s working relationship with Mike Mackey, who has become his main creative partner. This increased focus manifests on Paragons in the band’s most cohesive batch of songs to date, ranging from shimmering psych-pop excursions to bittersweet, piano and string-accented strummers, and an execution that feels like a massive step forward for the band.
Through its recent forays into dream pop and shoegaze (Control) and synth-pop (John Waters), ConstantSmiles has learned how to incorporate its experimental inclinations more fluidly into the mix. Artists likeYo La Tengo, and the more recent Rat Columns, are good touchstones forConstant Smiles’ musical approach - tethering to an indie-pop core while perennially mining genres, always finding new ways to intrigue listeners and pursue a unique vision.
Paragons was produced and engineered by Ben Greenberg in the last two weeks of December 2020 at Gary’s Electric, with additional recording done by Ben Jones at his home studio,The Void, and his Aunt Leanne’s house. The album was mixed at Circular Ruin Studio and mastered byJosh Bonati. The band on Paragons consists of Jai Berger (who performed “Introduction”), Spike Currier (bass and synth), Matthew Addison (drums), Emma Conley (violin), Nicky Wetherell (cello), Adam Lipsky (piano), and Ben Greenberg (guitar and Mellotron).
“Georgia Blue is a labor of love. On election day 2020, when I saw that there was a good chance the state of Georgia might go blue, I came up with an idea: to record an album of Georgia- related songs as a thank you to the state and donate the money to a Georgia based non-profit organization. I will admit my motivations were a bit selfish. For years, I’ve been looking for an excuse to record these songs with my band and some friends. The songs on this album are some of my favorite Georgia-related songs, but the tracklist is not meant to be comprehensive. I would love to cover Outkast and 2 Chainz, but I don’t think the finished product would be very good. We’re a rock band, so we covered rock songs. We have roots in blues and R&B, so we enlisted some brilliant artists to help us pull off songs by Precious Bryant, James Brown, and Gladys Knight. My favorite part of the Georgia Blue recording process was having the opportunity to work with these very special artists, and I thank them: Amanda Shires, Brittney Spencer, Adia Victoria, Brandi Carlile, Julien Baker, Bèla Fleck, Chris Thile, Steve Gorman, Peter Levin, and John Paul White. I hope you enjoy listening to these recordings as much as we enjoyed making them. Keep listening to good music and fighting the good fight.”
- Jason Isbell
Proceeds from the release will go to Black Voters Matter, Georgia Stand Up and Fair Fight. Learn more about each organization below:
Narrow Head’s debut full-length record Satisfaction is available once again on vinyl for the first time since its initial release in 2016. Reissued by Run For Cover, this version of the album includes updated album art and a limited color vinyl release. While the band offered a handful of one-off singles and demos prior toSatisfaction’s release, this record offers a perfect introduction to the Houston band’s world.
Revisiting Satisfaction after the release of last year’s 12th House Rock finds this younger version of the band honing in their signature blend melody, heaviness and atmosphere. Leadoff track “Necrosis” immediately recalls the heaviness of genre fore-bearers like touring partners Quicksand, while standout song “Cool In Motion” kicks off with what feels like an all-time alt-rock hook before disintegrating into an airy and melodic full-band jam.
2020 was supposed to be Wästberg's big year. Still riding high from the release of his second album as sir Was '2019"s Holding On To A Dream ' the Swedish multi-instrumentalist was booked to open for Little Dragon across Europe and the US. When the tour was cancelled due to COVID, he decided to channel all his energies into writing new music instead, but in August of 2020, he received some life-changing news. Tests revealed he carried the gene for a rare, hereditary condition causing multiple strokes. This dichotomy lies at the heart of his beautifully bittersweet third LP. Meditating on love, growth, self-acceptance, forgiveness, mortality and the passing of time, Let The Morning Come, which arrives self-produced by Joel, contains his most candid writing to date. And yet, for all the heartache that comes with being cruelly confronted with one's own mortality, the prevailing impression Wästberg leaves listeners with is one of hope, resulting in a collection that is life-affirming in the very truest sense.
Hungry Shells, the seventeenth entry in RVNG Intl.’s intergenerational collaborations series FRKWYS, brings together vocalist, multi-instrumentalist, and sound artist Ka Baird with avant-garde composer and radical performance art pioneer Pekka Airaksinen. Recorded six months before Pekka’s passing,Hungry Shells alchemizes separate but similar spiritualistic practices, canvassing Baird’s voice and synthesizer rituals and Airaksinen’s lysergic sound explorations into startling, surreal landscapes.
Pekka Airaksinen, who left this realm for another in May 2019, is recognized as a pioneering composer both in and outside his native Finland’s fringe art community. A founding member of the late 60s art and music collectiveThe Sperm, Airaksinen discovered Buddhism in the early 1970s, eventually establishing a number of meditation centers around Finland.Throughout his career Airaksinen embraced a degree of obscurity and anonymity that was inspired by his Buddhist learnings, and afforded him complete creative freedom. Ashe explained, “The less success you have, the more time there is to develop things.”
Ka Baird, who found her musical footing in Chicago playing inSpires That In The Sunset Rise before moving to New York to pursue her solo career, has developed a practice based in forms of active and engaged embodiment. Inspired b yCharlemagne Palestine’s Body Music, Baird’s performances explore physical extremes as a catalyst for charged immediacy and presence. “I’m interested in the places between precision and something unrestrained,” she toldThe Wire in 2019.Drawing on minimalism’s ecstatic deployment of duration and endurance, her recordings explore the outer limit sounds of her voice and its synthesis with developing music technology.
Airaksinen and Baird convened in Utrecht in the fall of 2018 to write, rehearse, and record Hungry Shells ahead of a performance at the Dutch festival institution Le Guess Who? Sessions took place between contemplative walks along the city’s medieval canals, and, for Airaksinen, lengthy meditations in his hotel room. Early on in the trip, Pekka shared ODO with Ka, a collection of Buddhist parables that he divinely received while meditating. After translating several of these texts from Finnish to English the duo used them as text for the album, and a sort of psychic foundation.
On Hungry Shells, Airaksinen and Baird embrace the creative potential within ritualistic or meditative states. Manifesting as stylistic touchstones from both artists’ oeuvre and, ultimately, an innovative discourse, the artists’ voices thread like a golden, mystical rope throughout the album. This merging of musical voices creates the character of this collaboration: a limitless form without ego, dismantling our frame of reality to reveal a portrait of true peace. Hungry Shellsadds one last, unique hue to Airaksinen’s spectral, unconventional fifty year discography, and sets a stage for Baird to preserve her mentor and collaborator’s legacy and promote the concept that transformation truly defies time.
Ka Baird and Pekka Airaksinen’s Hungry Shells, FRKWYS Vol. 17, will be released in vinyl and digital editions on October 22, 2021.Mastered byRashad Becker, the album features an artist essay from Baird, and poetry and cover artwork from Airaksinen. On behalf of Ka and Pekka’s estate, a portion of the proceeds from this release will benefit Nepal Art House, a non-profit art school that provides free art and cultural education toNepalese children who have limited resources and opportunities.
The B.B. King - Friday Music 180 Gram Audiophile Vinyl Series Begins Celebrate 5 Decades Of His Masterpiece. Impeccably Mastered From The ABC Bluesway /Universal Music Tapes By Joe Reagoso (Howlin' Wolf, Buddy Guy, Ray Charles). Striking Original Gatefold Cover Art Not Seen In Decades. Features B.B. King Classics: "Chains & Things" "Hummingbird" "Nobody Loves Me But My Mother" "You're Still My Woman" & "Ask Me No Questions". Featured Musicians: B.B King, Leon Russell, Carole King, Joe Walsh, Russ Kunkel, Bryan Garofalo, Gerald Jemmott, Hugh McCrackin, Merry Clayton, Clydie King, Shirlie Matthews & Vannetta Fields
Fresh new pressing of the now world famous studio album from punk/metal icon and powerhouse vocalist Glenn Danzig paying tribute to Elvis Presley! Features 14 unforgettable interpretations of well-known Elvis classics and unheralded deep cuts that will thrill fans of both of these kings of rock music! Highlights include Danzig's sinister take on "Fever" and a truly haunting version of "Always On My Mind!" Now available in PINK & BLACK HAZE!
This is a first time color vinyl pressing of the anticipated follow up to the Grammy® Award-winning 2009 release Townes titled, I'll Never Get Out Of This World Alive . This 11-track set was produced by T-Bone Burnett and was Earle's first collection of original material since his 2007 Grammy® Award-winning album, Washington Square Serenade. The album includes the celebrated song" This City," written for the HBO Original Series, TREMÉ, which Earle also appeared in as an actor. "This City" features horn arrangements by Allen Toussaint and has garnered a Grammy® Award Nomination in the Best Song Written for Motion Picture, Television or Other Visual Media Category. Other highlights include the ballad "Every Part of Me" and the ode to those who make their living on The Gulf Of Mexico.
For over three decades Corrosion of Conformity (COC) has been setting the standard when it comes to heavy music. The band's early records, "Eye for an Eye" (1984) and "Animosity" (1985), were influenced by punk pioneers Black Flag, Minor Threat and others. But they also were clearly influenced by bands like Black Sabbath, Judas Priest and other British metal bands that were beginning to take hold in the US. North America 2021 repress, limited to 1,500 worldwide
De La Soul and A Tribe Called Quest may have been more commercially successful, but the afrocentric, jazz political rap movement and unfadeable Native Tounge Massive started with the Jungle Brothers. Their debut full-length Straight Out the Jungle opened up many doors that are walked through by artists like Mos Def, Common and even Kanye West. Their taste for jazzy horn samples helped kick-start the entire jazz-rap movement, and their James Brown fixation was one of the first. Plus, the group's groundbreaking collaboration with legendary house producer Todd Terry, "I'll House You," paved the way for numerous hip-house hybrids that shot up the dance and pop charts over the next few years and appeared to be a staple on every East Coast Rap Album from '88 until '92.
Most known for his role as songwriter and lead singer of punk rock band Pennywise, JIM LINDBERG has been making inspiring, thought-provoking music since the 1990’s. Musically, he is influenced by an array of genres from punk and folk music to old school country and americana. Lyrically, Jim takes inspiration anywhere from transcendental philosophers to real life events; seeking always to tell a story or find the answers to life’s big questions.
This acoustic solo project is the first from JIM LINDBERG. Produced and mixed by Tedd Hutt (Gaslight Anthem, Lucero, Dropkick Murphys) it’s full of heartfelt songs, some rousing some sentimental, that are a departure for Jim but will appeal to diehard Pennywise fans and fans of folky punk singers like Chuck Regan and Frank Turner.
Critically acclaimed soundtrack to Bo Burnham's Netflix musical comedy special INSIDE. Double vinyl LP features all the music from INSIDE, including “All Eyes On Me”, “Welcome To The Internet” and “Bezos I”. Shot and performed by Bo Burnham, alone, over the course of a very unusual year. Nominated for 6 Emmys including best variety series, writing, directing, song, musical direction, and editing. Indie exclusive “coke bottle” clear vinyl in deluxe gatefold packaging
Red-leather-clad and pitchfork-wielding in a playful nod to Grant Wood’s celebrated painting of 1930, Mattiel (Mattiel Brown & Jonah Swilley) proffer songs which ponder the American everyday of the 2020s, serving up an album tasting more like home than ever before. ‘Georgia Gothic’ was shaped by time spent together on the road touring the first two albums - and it's this newfound sense of intimacy that enabled the writing not as two separate musicians, but rather as one creative entity.
Billow Observatory is the project of trans-Atlantic duo Jonas Munk (Denmark) and Jason Kolb (Michigan). Initially planned as a small side-project from their main work in Manual andAuburn Lull respectively, the two quickly realized their collaborative experiments merited more time and attention. Using heavily treated cavernous guitars, subtle synths, and crackling radio transmissions, their self-titled debut was released in 2012 as a double LP and established Billow Observatory as purveyors of unhurried, highly detailed ambient immersion.The release pair of II: Plains/Patterns in 2017, and III: Chroma/Contour in 2019, on Munk's ownAzure Vista Records, introduced a subtle underpinning of rhythm, pulse, and stutter among the washes, expanding their sound with a hint of understated electronica.Marking 10 years since debuting on Felte, 2022sees the release of Stareside, their most forcefully elegant undertaking to date. A record of swaying quarantine temperament, Stareside's 9 tracks thread the needle between hope and hopelessness - daydreaming whilst watching the world go mad in the blink of an eye. Not shy of overt rhythm, soaring motifs, and daunting undercurrents, Stateside veers wildly in new directions, yet keeps one hand near the record bin of comforting nostalgia (think early Warp Records, Jon Hassel, and Conny Plank to name a few).
Gang of Youths say, “The album is about the life and legacy of Dave's father, indigenous identity, death, grief and God. And also the Angel, Islington.”
Despite and indeed because of frontman Dave Le’aupepe’s father’s absence, his influence permeates every talking point that the album offers. At times it’s solely focused upon the precise, personal experiences of loss: the dichotomy of intensity and peace that comes as someone passes through their final days; the overwhelming feeling in the wake of their death that life will never be the same, even if the rest of the world at large remains utterly unchanged.
Although the album is eclectic - influences range from American minimalism and contemporary classical, to drawing upon the legacy of Britain’s alternative/indie scenes, from drum ‘n’ bass to the most transcendent moments of Britpop -- it’s equally rooted in Le’aupepe’s Samoan heritage, with the majority of tracks featuring samples from David Fanshawe’s recordings of indigenous music from the Polynesian islands and the wider South Pacific. ‘angel in realtime.’ also features contributions from a cast of talented Pasifika and Māori vocalists and instrumentalists.
Without exaggeration, Jason Isbell has become one of the most respected and celebrated songwriters of his generation. He possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty, and The Nashville Sound is no exception. The Nashville Sound is the critically acclaimed 6th studio album from Jason Isbell, and the 3rd album alongside his band, The 400 Unit. The album debuted at #4 on the Billboard Top 200 and #1 on the Rock, Americana / Folk and Country Albums charts, and earned the band 2 Grammys at the 2018 Grammy Awards: Best Americana Album and Best American Roots Song for "If We Were Vampires".
Featuring a diverse and spectacular cast of collaborators, "The Atlas Underground Flood" is a treasure trove of creativity, spanning many genres. The album is the surprise sister record released on the heels of "The Atlas Underground Fire”. “Fire” and “Flood” are a continuation of the Rage Against The Machine guitarist’s groundbreaking 2018 album, “The Atlas Underground.” Morello’s insane guitar playing is on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with heavy metal legends, punk icons and cutting edge firebrands.
Miloe, a.k.a. Bobby Kabeya, is a 20-year-old Minneapolis artist, by way of the Democratic Republic of Congo, who released his incredible Greenhouse EP in 2020. Kabeya moved to the U.S. with his family at the age of 8 to reunite with his father, a journalist who was granted asylum three years prior. Greenhouse is an exhilaratingly energetic and youthful homage to summer and the weather patterns of his childhood, paired with lyrics of teenage melodrama and idealism. Indie Exclusive 10” LP.
Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records. Pressed on limited astronomical blue vinyl, only available at independent record stores
The disjointed space between personal happiness and global sorrow is where Smrtdeath's new album it's fine makes it's home. Written and recorded during the pandemic, one of the most dramatically isolating experiences of our lives, the album finds Smrtdeath's Mike Skwark in a surprisingly contented state, newly coupled up and living in bliss. it's fine was produced by Matt Malpass, who Skwark calls "fucking incredible." He's a Grammy-nominated producer who has worked extensively with Blink 182, along with other artists surfing across similar genre borderlines as Smrtdeath, like Trippie Redd, Machine Gun Kelly, and 311. His bombastic approach to sound blends perfectly with Smrtdeath's near-spiritual use of harmony.It's fine is loaded with amazing featured artists, a who's who in the pop punk scene. The first song recorded for the album, "Adding Up," features Blink 182's Mark Hoppus on vocals and guitar, and his presence brings an epicness to the track. On "Sober," it's clear that falling in love has helped him grow up-but not too much. Skwark calls the song, which features both Lil Lotus and Lil Aaron, the result of "an internal conversation I've been having." It balances both the seriousness of the subject with the fun he wants to leave behind perfectly."I like this album the most out of anything I've done, and I want everyone to like it the most," Skwark says. He hopes to tour the record when the pandemic allows, with a live band. "I want to do something less familiar to everyone, something more like, Whoa. Something where I'm larger than myself," he says.
After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter “Sleazy” Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group’s heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one. Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed “moon music”–post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Dark² spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group’s limitless insular synergy. Opener “Something” is stark and incantational, a spoken word experiment for windswept voids. “Tiny Golden Books” unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. “Ether” is an exercise in funeral procession piano and intoxicated wordplay (“It's either ether or the other”), while “Where Are You?” and “Batwings–A Liminal Hymn” lurk like liturgical murmurings heard on one’s death bed, framed in granular FX and flickering candlelight. As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination “Paranoid Inlay “captures the group’s oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. “It seems concussion suits you,” he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: “On a clear day I can see forever / that the underworld is my oyster.”