PREORDER UPCOMING RELEASES

Deluxe two CD edition of Brandi Carlile's 2021 album, In These Silent Days. Includes a bonus 10 track CD that contains acoustic versions of the album's tracks plus a cover of "Space Oddity". In These Silent Days was the follow-up to her 2018 album By The Way, I Forgive You, and she recorded it at Nashville's RCA Studio A with producers Dave Cobb and Shooter Jennings. Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion), Jennings (piano, organ, synth), Chris Powell (drums, percussion), and Josh Neumann (strings) all appear on the album, and Jess Wolfe and Holly Laessig of Lucius make a guest appearance, adding backing vocals to "You And Me On The Rock."

Crazy Times is the brand-new studio album from Sammy Hagar & The Circle – Sammy Hagar (vocals), Michael Anthony (bass), Jason Bonham (drums/percussion), Vic Johnson (guitars). Featuring the title track, "Father Time," "Funky Feng Shui," and more.

2022 release. Written in early 2021, Better By Now features 10 blossoming indie-pop tracks that Brooke describes as a "spectrum of emotions." In her trademark layered approach, Brooke reflects on love, anxiety, and how two seemingly opposing forces can exist at once. "Better By Now is almost 50% about falling in love and 50% about depression and anxiety," she says. "And what that means in my life and how that applies to the world we're in right now."

Luke Bryan’s first #1’s/Greatest Hits album - includes 22- #1 Songs on 2CD-Set.

Luke Bryan will be releasing his #1’s on CD for the first time.  It includes 22- #1 Hits that span over 12 years.  #1’s Volume 1 & Volume 2 will be released as a 2 CD-Set on September 30^th .  It begins with “Rain Is A Good Thing” which was his first #1 and all of the way up to 2021 with his #1- “Knockin’ Boots”. Luke Bryan has released seven studio albums to date.  Since his debut, Luke Bryan has garnered 27 #1 hits and has more RIAA certified digital singles than any other country artist with 68.5 million, has 15.6 billion streams worldwide, and has sold nearly 13 million albums.   Each CD includes a Free Limited Edition Poster

Limited pink colored vinyl LP pressing. 2022 release from the New Jersey-based post-hardcore band. Hell Is In Your Head is the follow-up to 2018's If There Is Light, It Will Find You. The album was co-produced by SAOSIN's Beau Burchell and features the first single "I'm Sorry I'm Leaving".

Grammy-nominated blues, soul and Americana singer is revered worldwide for her defiant music and fire-breathing performances. Done Come Too Far continues Shemekia's riveting, clear-eyed testimony about our troubled world and the blessings that keep hope alive. The new album is again produced by Will Kimbrough, and an all-star supporting cast includes slide guitar whiz Sonny Landreth, Hill Country blues great Cedric Burnside and Hi Rhythm Section organist Charles Hodges. Done Come Too Far is another exhilarating Shemekia Copeland showcase, as her rousing vocals bring the heat in an infectious array of muscular rockers, stomping blues, swampy soul and heartbreaking ballads. Intense new originals make up most of the tracks and spirited versions of songs by Ray Wylie Hubbard and her father, Johnny Copeland, fit right into the mix.

Forty years after the Summer of Love (and 30 years after the Summer of Hate), MGMT is celebrating the grand re-opening of the third eye of the world with Oracular Spectacular, an enigmatic and prophetic collection of hallucinatory sounds and hook-riddled Pop tones for the new millennium.

MGMT is: Andrew Vanwyngarden and Ben Goldwasser, two psychic pilgrims whose paths first intersected in the green pastures of Wesleyan University in Middletown, Connecticut, circa 2002. The pair was drawn to the music of other duos and found themselves incorporating the implications of the hallucinatory power-twee of the Incredible String Band, the roaring subway minimalist Electronica of Suicide, the silky Pop-Soul of Hall & Oates, the pulsing narcotic trance of Spacemen 3, the avant-garde Industrial romanticism of Royal Trux and much more into the constantly evolving sounds of MGMT.

In just a few years, Cuban-born, Nashville-based quintet Sweet Lizzy Project has gone from its members never having been in an arena, to mesmerizing an audience of 20,000 people opening for their idols, Heart and Joan Jett.  Along the way, the anthemic rock band earned a prime performance broadcast for PBS’s Havana Time Machine; an artist profile on NPR’s “Weekend Edition”; and a cover story in the Miami Herald. For its latest album, Pirate Radio / Radio Pirata (Thirty Tigers), the band collaborated with major songwriters such as Blair Daly, Zac Maloy, and Sam Hollander for a triumphant and empowering collection of rock fused with an accessible pop structure and some of the everyday heart infused by Nashville’s country sound.

SLP’s sophomore American release, Pirate Radio / Radio Pirata, is an artistic and personal milestone for the group. It is a concept album that loosely mirrors SLP’s journey to be artistically liberated against a stifling government regime, and the story unfolds with theatrical grandeur.  The album’s unique melding of ultra-hooky choruses with ethereal ambience and passionate vocals and lyrics recalls such diverse artists as Paramore, Muse, and Olivia Rodrigo.

Pirate Radio / Radio Pirata will be released in both English and Spanish, and Diaz explains: “It was hard to do this because words that sounded beautiful in English didn’t always translate in Spanish. It was a labor of love—we want our message to be universal—it was like having to write new songs with the same idea for the Spanish version.” The 11-song album is a sleekly modern rock record with explosive dynamics, ace musicianship, and powerful lyrics. Throughout, Diaz’s magnetism and conviction recalls the power and passion of late Cranberries singer Dolores O'Riordan.

It’s been something of a freedom fairytale for Sweet Lizzy Project, and one standout moment, so far, has been sharing the stage with Heart and Joan Jett. “As a Cuban girl, it was surreal playing with artists that you couldn’t readily listen to back home,” Diaz shares. “I was so proud of us, and I hope our story provides light and hope for others.” 

In just a few years, Cuban-born, Nashville-based quintet Sweet Lizzy Project has gone from its members never having been in an arena, to mesmerizing an audience of 20,000 people opening for their idols, Heart and Joan Jett.  Along the way, the anthemic rock band earned a prime performance broadcast for PBS’s Havana Time Machine; an artist profile on NPR’s “Weekend Edition”; and a cover story in the Miami Herald. For its latest album, Pirate Radio / Radio Pirata (Thirty Tigers), the band collaborated with major songwriters such as Blair Daly, Zac Maloy, and Sam Hollander for a triumphant and empowering collection of rock fused with an accessible pop structure and some of the everyday heart infused by Nashville’s country sound.

SLP’s sophomore American release, Pirate Radio / Radio Pirata, is an artistic and personal milestone for the group. It is a concept album that loosely mirrors SLP’s journey to be artistically liberated against a stifling government regime, and the story unfolds with theatrical grandeur.  The album’s unique melding of ultra-hooky choruses with ethereal ambience and passionate vocals and lyrics recalls such diverse artists as Paramore, Muse, and Olivia Rodrigo.

Pirate Radio / Radio Pirata will be released in both English and Spanish, and Diaz explains: “It was hard to do this because words that sounded beautiful in English didn’t always translate in Spanish. It was a labor of love—we want our message to be universal—it was like having to write new songs with the same idea for the Spanish version.” The 11-song album is a sleekly modern rock record with explosive dynamics, ace musicianship, and powerful lyrics. Throughout, Diaz’s magnetism and conviction recalls the power and passion of late Cranberries singer Dolores O'Riordan.

It’s been something of a freedom fairytale for Sweet Lizzy Project, and one standout moment, so far, has been sharing the stage with Heart and Joan Jett. “As a Cuban girl, it was surreal playing with artists that you couldn’t readily listen to back home,” Diaz shares. “I was so proud of us, and I hope our story provides light and hope for others.” 

2022 release, the fourth album from the Australian psychedelic rock band.

Limited 180gm metallic gold colored vinyl LP pressing. 20th Anniversary Edition. "Alice" is the 14th studio album by Tom Waits, originally released in 2002. The album contains most songs written for the play Alice. The adaptation was directed by Robert Wilson, who Waits had previously worked with on the play The Black Rider, and originally set up at the Thalia Theatre in Hamburg in 1992. The play has since been performed in various theatres around the world.

Blood Money is etched. It’s scratched out in bold, dark lines, with marimba, trumpet, and bass clarinet and contains some songs of Tom Waits’ most memorable melodies. The songs are declarative, sardonic, unforgiving, musical dispatches, from the bottom of the heap. “Blood Money is flesh and bone, earthbound,” said Waits. “The songs are rooted in reality: jealousy, rage, the human meat wheel...They are more car- nal. I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth. I like songs to sound as though they’ve been aging in a barrel and distressed.”

Magnetically energetic and eternally hopeful, Dayglow (the project of Austin, TX based Sloan Struble) excels in creating catchy, carefully crafted, effervescent indie pop. His home-recorded 2018 debut album Fuzzybrain featured the Platinum Certified single “Can I Call You Tonight?”, which went on to be hailed as 2020’s biggest independent alternative hit. Following up with his sophomore album Harmony House in 2021, Dayglow generated a mountain of indie buzz and critical acclaim anchored by lead single "Close To You". Now, after racking up over a billion streams and selling out headline tours around the world, Dayglow returns with his third album People In Motion. Fun and colorful, People In Motion meditates on the ideas of commitment, inner peace, and movement, while inviting the listener to the dance floor to leave the chaos and noise of our current culture behind.

Bobby Weir & Wolf Bros—consisting of Bobby Weir, Don Was, Jay Lane and Jeff Chimenti—are set for the release of their second vinyl collection of recorded material, Bobby Weir & Wolf Bros: Live in Colorado Vol. 2, October 7 on Third Man Records. “This was our first quick tour with The Wolfpack,” Weir says. “There’s a rawness to it that we’ll prolly never get again…”The album follows Bobby Weir & Wolf Bros: Live in Colorado, which was released this past February to critical acclaim.

Vol. 2 also features songs recorded live at Red Rocks Amphitheatre and the Gerald R. Ford Amphitheater in Colorado in June, 2021—a documentation of their first live audience concerts in over a year due to the pandemic—featuring Greg Leisz on pedal steel, along with The Wolfpack: Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown.

WILLOW's new album features "(maybe) it’s my fault," "hover like a GODDESS" and more. On tour with MGK and international festivals, plus appearances on NPR, SNL and more through 2022.

Only The Strong Survive is the new album from Bruce Springsteen, and his first new studio album since 2020’s Letter To You. The album is a collection of soul music gems, that celebrate the legendary songbooks of Gamble and Huff, Motown, Stax and many more.

Only The Strong Survive features vocals from Springsteen and instrumentation primarily from his longtime producer Ron Aniello. The album also features guest vocals from Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes and backing vocals from Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Fonzi Thornton and Dennis Collins.

Super Deluxe 12 LP box on 180-gram vinyl with 97 total tracks (63 previously unreleased) includes the UYI I & II remastered for the first-time, plus the complete LIVE IN NEW YORK & LIVE IN LAS VEGAS concerts never-before released. Blu-ray disc features the full LIVE IN NEW YORK concert in HD with Atmos, 5.1 & stereo audio. 100-page hardcover book with unreleased photos and images. Bonus items include replica Conspiracy Inc fan club kit, 10 double-design lithos, 4 backstage passes, and much more.

Guns N' Roses - "Use Your Illusion I" - USE YOUR ILLUSION I remastered for the first-time ever from high-resolution 96kHz 24-bit transfers from the original stereo 1/2-inch analog master tapes. Includes "November Rain" with a real 50-piece orchestra for the firsttime ever - newly recorded, conducted and arranged by GRAMMY-winner and Emmy-nominated composer Christopher Lennertz. 2 LP set on 180-gram heavyweight audiophile black vinyl in a gatefold jacket with a 12"x12" insert. EXPLICIT

Guns N' Roses - USE YOUR ILLUSION II remastered for the first-time ever from high-resolution 96kHz 24-bit transfers from the original stereo 1/2-inch analog master tapes. 2 LP set on 180-gram heavyweight audiophile vinyl in a gatefold jacket with a 12?x12? insert."Use Your Illusion II". EXPLICIT

“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.

“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.”

It’s impossible to describe Action Bronson in a way he hasn’t already thought of. First and foremost though, Action Bronson is a principled MC, a Queens legend respected for his idiosyncratic pen and vivid raps, now a decade into his career and still deepening his skillset. “TRUST WHEN I SAY IT AIN’T SAFE FOR ANY OF THESE ANIMALS THE ANCIENT APEX PREDATOR IS BACK ON THE PROWL.” – ACTION BRONSON

Alvvays' third album, the nervy joyride that is the compulsively lovable Blue Rev, doesn't simply reassert what's always been great about Alvvays but instead reimagines it. They have, in part and sum, never been better. There are newly aggressive moments here-the gleeful and snarling guitar solo at the heart of opener "Pharmacist," or the explosive cacophony near the middle of "Many Mirrors." And there are some purely beautiful spans, too-the church- organ fantasia of "Fourth Figure," or the blue-skies bridge of "Belinda Says." But the power and magic of Blue Rev stems from Alvvays' ability to bridge ostensible binaries, to fuse elements that seem antithetical in single songs-cynicism and empathy, anger and play, clatter and melody, the soft and the steely. The luminous poser kiss-off of "Velveteen," the lovelorn confusion of "Tile by Tile," the panicked but somehow reassuring rush of "After the Earthquake."In October 2021, when they arrived at a Los Angeles studio with fellow Canadian Shawn Everett, he urged them to forget the careful planning they'd done and just play the stuff, straight to tape. On the second day, they ripped through Blue Rev front-to-back twice, pausing only 15 seconds between songs and only 30 minutes between full album takes. And then, as Everett has done on recent albums by The War on Drugs and Kacey Musgraves, he spent an obsessive amount of time alongside Alvvays filling in the cracks, roughing up the surfaces, and mixing the results. This hybridized approach allowed the band to harness each song's absolute core, then grace it with texture and depth.

The seventh installment in his Madlib Medicine Show, a jazz album with his Yesterdays New Quintet called High Jazz. Madlib’s been busy this year. And while his recorded output always spans the gamut, he often returns to recurrent themes, spread across the genres that serve as home base – or bases, as it were. Jazz is one such base. With High Jazz, Madlib begins anew – offering familiar jazz sounds from a series of “new” groups from his ever-augmenting cosmos. Call it “Yesterdays Galaxy.” High Jazz, the name itself a tribute to the landmark jazz-fusion album released by Stanton Davis’s Ghetto Mysticism in 1976, shows a marked development in Madlib’s craft. Every element of jazz is there. Is that tune modal-funk? Was that song psych-fusion? Was that a bossa-tinged run or another kind of latin-affair? Where did that sitar come from? Madlib’s Yesterdays-excursions are never easy to categorize and that’s the point – while experiencing chops like these, the desire to rigidly define takes a back seat to aural pleasure.

Years before forming one of Nashville's most genre-bending bands, the members of Judah &the Lion grew up in separate corners of the U.S., listening to every type of music that came their way. They loved it all: the twang of folk, the beat of hip-hop, the drive of rock & roll, the punch of pop. Later, after college brought all four musicians to Tennessee, it only made sense to combine those different backgrounds # and different sounds # together. With their second full-length album, Folk Hop N Roll, the guys shine a light on the place where their influences overlap. It's a wide-ranging sound, with fuzz bass, hip-hop percussion, distorted banjo riffs, and super-sized melodies all stirred into the same mixing pot. There's no boundaries, says frontman Judah Akers, who shares the band's lineup with drummer Spencer Cross, mandolin player Brian Macdonald, and banjo wiz Nate Zuercher. We wanted to make something raw, something with attitude. We all grew up loving these hip-hop beats, so why not make an album that has the grit of Run DMC or Beastie Boys, along with all the folk instruments that we play?

When the world came to a halt, Jim Ward couldn’t stop moving. He’d just released a reunion album, Trust the River, as the frontman of Sparta when the pandemic hit, and as tour dates dried up, Ward returned to the studio. A year later, he debuted his raucous solo record Daggers and now he’s offering up yet another Sparta album to the world. 

The resulting collection of songs were entirely written on keys in what Ward considers an effort to stretch musical muscles he wouldn’t otherwise have had the expanse of time to indulge in. Boldly self-titled some 20-odd years into Sparta’s career, the album serves as a kind of reintroduction to the band, what Ward calls “a fresh slate.” 

He recorded the song at Red Bull Studios in Santa Monica, where for the first time in his long career, Ward had a state of the art recording space to himself, and an engineer able to help him enact his vision. The rest of the album was self-produced at Ward’s El Paso studio, Crowded Heart. 

Hitting play on the debut album from Plains, the duo composed of Waxahatchee's Katie Crutchfield and Jess Williamson, we're immediately teleported into a world of Southern sunsets, wide open spaces, and the unapologetic nature of Country music.Plains began out of Crutchfield's and Williamson's mutual love for each other's music and after trading albums (Saint Cloud and Sorceress, respectively) in early 2020. Feeling that it was time to have a separate project that could reflect a different side of her creative inspirations, Katie felt that Jess was the perfect fit for a collaboration, and they set off to create I Walked With You A Ways.Written between Kansas City, Los Angeles, and Marfa, the album was recorded in Durham, NC with collaborator and producer Brad Cook. The creative magic of only a few vocal takes, tracking with a band comprised of Spencer Tweedy and Phil Cook, gives the album a feel of fresh, on-the-spot conception. The trust and history of Crutchfield and Cook's collaborations (Saint Cloud, Great Thunder EP) set the tone for this new container of spontaneity and experimentation.And that's the thing about Country music, and what so much of this album nods to - from Waylon and Willie, to The Judds, The Chicks, Trio, and beyond - these are groups that are formed out of family and friendship, that lyrically take their listeners on a voyage of sorrow and hope. Crutchfield's sharp, honest edge of truth telling paired with Williamson's ability to paint the scene with candles, plains, sunsets, and small Texas towns is one of the strongest parts of this album.While Williamson sings "Texas in my rearview / Plains in my heart" and Crutchfield echoes "Got a heartbreak burn, take the quickest route / On this 4 lane highway I'll trace it in the clouds," the true gift of this album emerges. We're in the backseat with these two, truck windows open, wide open spaces in front of us. The feeling of being both a mess and unstoppable at our fingertips. May this album bring us all closer to ourselves and to each other.

A new studio album of songs written, recorded and produced by visionary musician and artist BRIAN ENO – featuring his vocals on 8 of the 10 recordings.

FOREVERANDEVERNOMORE is Eno’s first studio album in six years and features appearances from longstanding collaborators Leo Abrahams, Roger Eno and Peter Chilvers, alongside Cecily Eno, Clodagh Simonds, Darla Eno and Jon Hopkins.

The album includes studio recordings of “There Were Bells” and “Garden Of Stars,” compositions that Eno penned to perform as part of his first live performance in 11 years at the Acropolis back in August 2021, it also includes “Making Gardens Out Of Silence” that features as part of the ongoing Serpentine interdisciplinary program, BACK TO EARTH.

Ten Bands re-issue their albums on pink colored vinyl, all for one cause. 2022 marks the ninth year for the initiative that has raised close to $300, 000 for Red Door Community, an organization that provides community support for both those diagnosed with cancer and their caretakers. This year's set includes releases by Nas, The Black Keys, Colter Wall, The Allman Brothers, Judah & The Lion, Senses Fail, The Bangles, Turnpike Troubadours, Jungle Fire and Badbadnotgood. On August 26, 1971, the unrivaled original line-up of The Allman Brothers Band set up in A&R Studios in NYC and played a scorching 67 minute set to a studio audience - and it was broadcast live over WPLJ-FM. It was a classic 1971-era set - "Statesboro Blues, " "Trouble No More, " "Don't Keep Me Wonderin', " "Done Somebody Wrong, " "One Way Out, " "In Memory of Elizabeth Reed, " "Stormy Monday, " "You Don't Love Me, " "Soul Serenade" and closing with "Hot 'Lanta." Bootleg recordings of the FM broadcast have been around for years, but this release has been re-mixed from the original multi-track studio recording and the sound is absolutely stunning! Gatefold 2LP-set.

Isokratisses (Greek for "women who sing the "iso" or "drone") is a vocal ensemble comprised of eight women who carry the ancient tradition of polyphonic songs from Epirus: a region in northern Greece and southern Albania. Born and reared in the Greek speaking villages around Deropoli and Politsani in Albania, the women of Isokratisses have sung these songs since childhood. The group ranges in age from 19 to 56 with some sisters in the group as well as an aunt. They were nurtured by this archaic music, listening and singing it with their family and friends. The songs were passed down from generation to generation. The group started its artistic activity in 2015, after the singer Anna Katsi took the initiative to encourage the younger members to perform regularly. The communal nature of polyphonic singing is a way of revitalizing an art that has declined in recent years and to reassert the primacy of female voices in the southern Balkans. Singing these songs builds an invisible bridge that connects the present with the past, the memories of childhood travel with the immediacy of daily life. On Oct 14, 2022, Third Man Records will release a full album of these solo polyphonic songs, with Grammy-winning producer Christopher King. "It is social music, woven into the fabric of poor, marginalized, and disenfranchised communities. Many of the songs are variations of mirologia (songs of fate, songs of morning) that used to be sung throughout the southern Balkans but have largely disappeared on an informal cultural level except for Epirus. Structurally, the songs are pentatonic (five notes with no semitones) and are composed of three or four distinct melodic voices that weave together in an organic yet unexpected way. The remaining members of the group provide the iso or “drone” that is the low tonic note of the melody." - Chris King

Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.

ARCHITECTS have delivered their 10th studio album; an arena-ready opus entitled, 'the classic symptoms of a broken spirit', the follow up to their 2021 breakout album For Those That Wish To Exist, which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day," recalls drummer, producer and songwriter Dan Searle of hitting the top spot with 'For Those That Wish To Exist'"For a lot of the bucket list things you reach in any career, there's a momentary gratification then you're like, 'What next?' You just move on. By the time the album came out, my head was already in the mindset of 'Broken Spirit'. That was where I was at." Searle notes how it was their albums 'Lost Forever/Lost Together', 'All Our Gods Have Abandoned Us', and 'Holy Hell' that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene - making it all the more "daunting" to reinvent themselves on the records that would follow. "I wanted to make this album with a different aesthetic. We were enjoying working with the synths and doing stuff that we hadn't done before." As a band who never stop writing, the kernels of the songs that make up 'the classic symptoms of a broken spirit' were already in progress before the ink had time to dry on the artwork of their last record. Architects were on a creative roll, and the record was born of that creative freedom. Produced by Dan Searle and guitarist Josh Middleton, with additional production from frontman Sam Carter at Decon's Middle Farm Studios and their own Brighton Electric Studios before being mixed by Zakk Cervini, the band were buoyed by finally being back in a room together after their last album was made mostly remotely due to COVID restrictions. The result was something altogether more "free, playful and spontaneous," Searle explains. Carter agrees: "This one feels more live, more exciting and more fun - it has that energy. We wanted it to be a lot more industrial and electronic. That was the main mission. They can sit side-by-side: Mr Electronic and Mr Organic."

Limited green colored vinyl LP pressing in gatefold jacket. Includes poster. 2022 release. Rad Wings of Destiny is the first new album from California band Ugly Kid Joe since 2015's Uglier Than They Used Ta Be. For this album, Ugly Kid Joe teamed up with producer Mark Dodson, who was already responsible for the 1992 multiplatinum debut album America's Least Wanted.